Gustave Courbet
1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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Gustave Courbet Hunter on Horseback oil painting


Hunter on Horseback
English: "Hunter on Horseback," oil on canvas, by the French artist Gustave Courbet, 47 in. x 37 1/2 in. Yale University Art Gallery, gift of J. Watson Webb, B.A. 1907. Courtesy of Yale University, New Haven, Conn. Date 1864 cyf
Painting ID::  74756
Gustave Courbet
Hunter on Horseback
English: "Hunter on Horseback," oil on canvas, by the French artist Gustave Courbet, 47 in. x 37 1/2 in. Yale University Art Gallery, gift of J. Watson Webb, B.A. 1907. Courtesy of Yale University, New Haven, Conn. Date 1864 cyf
   
   
     

Gustave Courbet hammock oil painting


hammock
Date 1844 Medium Oil on canvas Dimensions 70,5 X 97 cm cyf
Painting ID::  75334
Gustave Courbet
hammock
Date 1844 Medium Oil on canvas Dimensions 70,5 X 97 cm cyf
   
   
     

Gustave Courbet Portrait of Countess Karoly oil painting


Portrait of Countess Karoly
1861(1861) Oil on canvas cjr
Painting ID::  75436
Gustave Courbet
Portrait of Countess Karoly
1861(1861) Oil on canvas cjr
   
   
     

Gustave Courbet Portrait of Countess Karoly oil painting


Portrait of Countess Karoly
Date 1861(1861) Medium Oil on canvas cyf
Painting ID::  77284
Gustave Courbet
Portrait of Countess Karoly
Date 1861(1861) Medium Oil on canvas cyf
   
   
     

Gustave Courbet The Stone Breakers oil painting


The Stone Breakers
1849(1849) Oil on canvas 165 x 257 cm cjr
Painting ID::  80182
Gustave Courbet
The Stone Breakers
1849(1849) Oil on canvas 165 x 257 cm cjr
   
   
     

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     Gustave Courbet
     1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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